Saturday, 11 May 2013

Online blueprint for 3D gun violates export law, US says. Too late now.

Cody Wilson removes from his website instructions for a functional 3-D gun, or 'wiki weapon project,' at State Department behest. US lawmakers, meanwhile, propose an updated ban on undetectable firearms.

By Allison Terry,?Correspondent / May 10, 2013

Sen. Charles Schumer (D) of New York talks about the ability for making an untraceable and undetectable gun with a 3D printer, during a television news interview on Capitol Hill on Monday.

J. Scott Applewhite/AP

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A Texas man removed 3-D plastic gun blueprints from his website on Thursday afternoon, after the US State Department said he had violated United States export control laws, but not before the plans had been downloaded across the world.

Skip to next paragraph Allison Terry

Correspondent

Allison Terry works on national news desk for the Christian Science Monitor. She also contributes to the culture section and Global News blog.

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Defense Distributed founder Cody Wilson uploaded design plans for making the world?s first functional 3-D plastic gun, called the ?Liberator,? to the group?s website on Monday. Now, policymakers are scrambling to catch up with this new frontier of gun control jurisdiction.

The State Department stepped into the debate Thursday because regulating the export of defense materials and data is a national security issue, a spokesperson told CNN.

In a letter sent to Mr. Wilson, the department?s Office of Defense Trade Controls Compliance said he must remove all data and files ?from public access immediately? due to restrictions under the International Traffic in Arms Regulations (ITAR).

"Defense Distributed may have released ITAR-controlled technical data without the required authorization from the Directorate of Defense Trade Controls, a violation," Glenn Smith, chief of the enforcement division, said in the letter.

Technical data regulated by the ITAR includes information for the ?design, development, production, manufacture, assembly, operation, repair, testing, maintenance or modification of defense articles, including information in the form of blueprints, drawings, photographs, plans, instructions or documentation,? the letter said.

By Thursday afternoon, the documents had been removed from the Defense Distributed website, which stated, ?DEFCAD files are being removed from public access at the request of the US Department of Defense Trade Controls. Until further notice, the United States government claims control of the information."

?We have to comply,? Wilson, a law student at University of Texas in Austin, told Forbes. ?All such data should be removed from public access, the letter says. That might be an impossible standard. But we?ll do our part to remove it from our servers.?

But it?s unlikely that the maneuver will prevent people from accessing the plans, Wilson said. He doesn?t see this censorship as a defeat ? the government can?t prevent the spread of the plans for 3-D guns on the global Internet, he said.

?This is the conversation I want,? Wilson said. ?Is this a workable regulatory regime??Can there be defense trade control in the era of the Internet and 3D printing??

The blueprints were downloaded more than 100,000 times between Monday and Wednesday, Forbes reported.

For Wilson, the debate is less about gun control and more about access to information. The goal of Defense Distributed is to create a ?wiki weapon project? ? free access to plans for 3-D printable guns, according to its website.

"The future of distributed technologies in the Internet is that no one has control of the information," he told?Mashable.?"This is more than guns now, man, this is about the Internet, this is about information."

But Defense Distributed now has to file Commodity Jurisdiction (CJ) determination requests for each of the gun-related components on its website, which may give lawmakers more time to determine how to regulate technology in the US.

?When I started talking about the issue of plastic firearms months ago, I was told the idea of a plastic gun is science-fiction. Now that this technology appears to be upon us, we need to act now to extend the ban on plastic firearms,? said Rep. Steve Israel (D) of New York, in a statement May 3.

Representative?Israel proposed legislation called the Undetectable Firearms Modernization Act, which would make it illegal ?to manufacture, own, transport, buy, or sell any firearm, receiver, or magazine that is homemade and not detectable by metal detector and/or does not present an accurate image when put through an X-ray machine,? the Monitor reported on Monday.

?A spousal abuser, a felon, can essentially open a gun factory in their garage,? said Sen. Charles Schumer (D) of New York, who backs extending the ban on plastic guns. "All that?s needed is a ?computer and a little over $1,000 [for the printer]. And you don?t even have to leave your house.?

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/qQr_PpGREDA/Online-blueprint-for-3D-gun-violates-export-law-US-says.-Too-late-now

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Tesla Model S gets Consumer Reports' top score - KansasCity.com

? The Tesla Motors Inc. Model S electric car has tied an older Lexus for the highest score ever recorded in Consumer Reports magazine's automotive testing.

The Model S, which starts at $62,400 after a federal tax credit, scored 99 points on a scale of 100 in the magazine's battery of tests.

"It accelerates, handles and brakes like a sports car. It has the ride and quietness of a luxury car and is far more energy-efficient than the best hybrid cars," Jake Fisher, the magazine's director of automotive testing, said Thursday in a statement.

The magazine tested a Model S that cost $89,650 and was equipped with an 85 kilowatt-hour lithium-ion battery that's larger than the standard battery. The car went from zero to 60 mph in only 5.6 seconds. The magazine said it handled like a Porsche sports car, yet it was the quietest car it had tested since the Lexus LS. The interior, the magazine said, was beautifully crafted and reminded testers of an Audi.

Consumer Reports found that the Model S had a range of about 180 miles on cold winter days and 225 miles in moderate temperatures, far higher than other pure electric cars that go 75 or 80 miles on a single charge. Tesla says the 85 kwh battery-car can go 300 miles at 55 mph.

Charging the Model S costs about $9 at the national average of 11 cents per kilowatt-hour, the magazine said, making the car equal to running a conventional vehicle on gasoline that costs $1.20 per gallon, Consumer Reports said. The magazine calculated that the Model S got the gasoline equivalent of 84 miles per gallon.

The Model S, though, didn't get Consumer Reports' coveted "Recommended Buy" rating because the magazine doesn't have sufficient data to judge reliability of the car, which went on sale last year.

The car was not without shortcomings. Consumer Reports said its drawbacks include limited range, long charging times and coupe-like styling that hinders rear visibility and crimps passenger access. The magazine also was concerned about buying a car from a startup company with no track record of reliability or resale value and a "skimpy (although growing) service network."

The Model S tied a Lexus 460L full-size luxury car tested in 2007 for the record score.

Source: http://www.kansascity.com/2013/05/09/4226754/tesla-model-s-gets-consumer-reports.html

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Friday, 10 May 2013

You?ll soon be able to pick up a 3D printer at Staples

Staples is the first major US retailer to announce they’ll be selling 3D printers. ?In June, Staples will begin offering the Cube 3D Printer from 3D Systems in some select stores, but you can order a Cube 3D from Staples online now. ?They are offering the printers for $1299.99. ?The printer is “ready to use [...]

Source: http://the-gadgeteer.com/2013/05/09/youll-soon-be-able-to-pick-up-a-3d-printer-at-staples/

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Thursday, 9 May 2013

Hubble Discovers 'Planetary Graveyard' Around White Dwarf

astroengine send this interesting excerpt from Discovery: "The Hubble Space Telescope has discovered rocky remains of planetary material 'polluting' the atmospheres of two white dwarfs ? a sign that these stars likely have (or had) planetary systems and that asteroids are currently being shredded by extreme tidal forces. Although white dwarfs with polluted atmospheres have been observed before, this is the first time evidence of planetary systems have been discovered in stars belonging to a relatively young cluster of stars. 'We have identified chemical evidence for the building blocks of rocky planets,' said Jay Farihi of the University of Cambridge in a Hubble news release. 'When these stars were born, they built planets, and there's a good chance that they currently retain some of them. The signs of rocky debris we are seeing are evidence of this ? it is at least as rocky as the most primitive terrestrial bodies in our Solar System.'"

Source: http://rss.slashdot.org/~r/Slashdot/slashdotScience/~3/kygHGTPxyGY/story01.htm

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Olivier Assayas takes another crack at his radical adolescence ...

Between 1904 and 1906, James Joyce tried to write an autobiographical novel called "Stephen Hero," but he grew frustrated with the manuscript and abandoned it (it was published posthumously in 1944). A decade later, armed with the publication of his short-story collection Dubliners, he revisited this failed pass at a first novel, emphasizing the psychology of his alter ego, Stephen Dedalus, and experimenting with language and form to create A Portrait of the Artist as a Young Man. For Joyce, practice and perspective enabled him to craft a more meaningful expression of his life experience.

Something in the Air, which opens Friday at Music Box, has a similar back story. French writer-director Olivier Assayas enjoyed his first international success with Cold Water (1994), a largely autobiographical tale of two teenagers, Gilles and Christine, living through the doldrums of a French suburban community in 1971. After being arrested for shoplifting, Christine is sent to live in a mental institution, which she eventually escapes, joining Gilles at a bonfire party at an abandoned French country house. Kids drink and smoke hash while listening to such familiar rock songs as Creedence Clearwater Revival's "Up Around the Bend" and Janis Joplin's "Me and Bobby McGee."

This may sound like a tale of romance and reverie, but Cold Water plays out more like its title: icy, flat, and shapeless. The film's gray-blue palette gives it a depressive feeling. Assayas deliberately chose actors with little to no film experience, and it's obvious, not so much in their delivery but because they all behave like teenagers from the 90s instead of the 70s. There's a linear narrative, but the scenes and the transitions between them drag on interminably. One gets the sense Assayas might agree?in a recent Film Comment interview he notes, "Ever since I made Cold Water, I felt there was material from that period that I hadn't dealt with and could be the basis for another film."

Assayas's last project, broadcast in France as a miniseries, was the critically acclaimed Carlos (2010), a five-and-a-half hour study of Carlos the Jackal, the political terrorist who became notorious for his 1975 raid on the OPEC headquarters in Vienna (to which Assayas devotes a considerable, memorable portion of the film). By then Assayas had been making films for 30 years, yet Carlos felt like a watershed. Not only did Assayas exhibit a newfound confidence, but the story represented a survey of his interests: the 1970s, leftist politics, popular music, Europe after World War II. In a way Carlos was Assayas's Dubliners, considering a wide range of social history.

Radical politics also figure prominently in Something in the Air, whose French release title, Apres Mai ("After May") references the May 1968 uprisings in France. The film opens "near Paris" in late spring 1971, with Gilles carving an anarchy symbol into his desk at school. After class he hands out liberal political papers on the school grounds, where he's alerted to a protest. Shouting slogans and wearing helmets, he and his fellow activists march up to a throng of riot police who wield batons and fire off gas grenades. The ensuing melee prompts Gilles and his friends to vandalize their school, once with spray paint and again with Molotov cocktails. Chased by security, they throw a sandbag over a walkway on top of one of the guards, which leaves him in a coma.

The kids barely consider the guard's condition?politics trump any moral code?but this event becomes a turning point. To avoid punishment for the assault, Gilles flees to Italy for the summer with his new girlfriend, Christine, and his painter friend, Alain. As they traipse through northern Italy, they each begin to realize their respective paths: Alain to Nepal, to pursue painting with an American girlfriend; Christine to join an agitprop film crew in Italy; and Gilles, beginning to feel disillusionment with radical leftist politics, back to Paris to enroll in Beaux Arts and eventually work for his father as a TV writer. In each case the characters live through experiences that shape their lives, whether it's abortion, death, failed relationships, or just making one's way in the working world.

In one sense Something in the Air can be viewed as an inversion of its predecessor. The protagonist of Carlos uses politics and persuasion to lure young, passionate people into a radical movement; when his followers see that he prizes his ego over ethics and ideology, they break away from him. By contrast the main character of Something in the Air strays from left-wing activism once he recognizes the movement's flaws. When a group of older agitprop filmmakers see Gilles reading Pierre Ryckmans's The Chairman's New Clothes?an expos? of the atrocities committed by Mao during the Cultural Revolution?they argue that Ryckmans is a CIA agent disseminating propaganda. Gilles explains to them that Ryckmans's identity is well-documented, but they refuse to acknowledge anything other than their own conspiracy theories. Concordantly, this is around the same time Gilles begins to become an artist, painting frequently and asking the filmmakers if he can borrow their camera.

As with Portrait of the Artist, many of the events in the film mirror the writer's own adolescence: like Gilles, Assayas wanted to be a painter before turning to film, started out doing grunt work on British B movies, and helped his father write a TV show based on the detective novels of Georges Simenon. Assayas also recycles the climactic sequence of Cold Water, in which a country house becomes the site of a bonfire-lit party. Otherwise the two films feel completely different: whereas Cold Water was dominated by gray midcentury-modernist architecture, Something in the Air is sunny, multihued, and rhythmic, cinematographer Eric Gautier (a longtime Assayas collaborator) lingering over verdant forests, the deep blue of a Florence dawn, magenta-lit rock concerts, and citrus-soaked Italian summers. Many have called Something in the Air a celebration of youth, but the movie is just as much a visual love letter to French and Italian landscapes.

Something in the Air also has a specificity and confidence that Cold Water lacked. Assayas is more attuned to detail this time around. Thanks to the costumes, hair, and props, the actors more closely resemble people from the 70s. The camera fixes on leftist newspapers as they're dropped onto counters, or on iconic LP covers as Gilles rifles through his record collection. And just as Assayas scored the terrorist attacks of Carlos to coiled postpunk music, here he plies obscure late-60s/early-70s progressive folk and psychedelic rock tunes. Soft Machine's demented "Why Are We Sleeping?" invigorates the aforementioned bonfire scene, Dr. Strangely Strange's "Strings in the Earth and Air" is used to spooky effect for a nighttime tryst, and in a particularly moving sequence, a character's postabortion introspection is accompanied by Amazing Blondel's sweeping "Celestial Light."

Toward the end of the story, while working on a film set, Gilles walks behind a movie screen, a symbolic representation of Assayas walking into his future as a filmmaker. It's not quite Stephen Dedalus setting out to "forge in the smithy of my soul the uncreated conscience of my race," but it seems an apt summation of the director's intent. Something in the Air is the cinematic equivalent of a Joycean epiphany, for the characters and possibly for the audience. You might not walk out of it wanting to move to Europe or become an artist, but you might be inspired to ponder what makes you happiest and whether or not it's still possible to make that passion the motor of your life.

Source: http://www.chicagoreader.com/chicago/olivier-assayas-cold-water-something-in-the-air/Content?oid=9582232

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Arias case likely far from over even after verdict

PHOENIX (AP) ? As the world awaits a verdict in the Jodi Arias murder trial, the case may be far from over if she is not acquitted.

Arias, 32, is charged with first-degree murder in the June 4, 2008, death of her Travis Alexander, her one-time boyfriend, at his suburban Phoenix home.

Testimony began in early January. Jurors reached a verdict Wednesday after deliberating for about 15 hours over four days. It was scheduled to be announced at 1:30 p.m. local time.

Jurors have several options, and each takes the case in a different direction:

FIRST-DEGREE MURDER:

If the jury convicts Arias of first-degree murder, the trial will move into a phase during which prosecutors will argue the killing was committed in an especially cruel, heinous and depraved manor, called the "aggravation" phase. Both sides may call witnesses and show evidence during a mini trial of sorts. The jurors are the same.

OPTION 1:

The panel doesn't find the presence of aggravating factors. In this case, the judge dismisses them and sentences Arias to either the rest of her life in prison or life in prison with the possibility of release after 25 years.

OPTION 2:

The jurors find there were aggravating factors, and the case moves into a penalty phase. The same jury decides whether Arias should be executed or get life in prison. This portion of the case could go on for several weeks, and additional witnesses could be called by both sides. If jurors don't reach a unanimous agreement on the death penalty, the judge sentences Arias to either the rest of her life in prison or life in prison with the possibility of release after 25 years.

SECOND-DEGREE MURDER:

If the jury convicts Arias of second-degree murder, the trial will move into the same "aggravation" phase as a first-degree murder conviction.

OPTION 1:

The jury finds aggravated factors, and the judge most likely sentences Arias on the upward end of the scale that tops out at 22 years in prison.

OPTION 2:

The jurors don't find aggravating factors, and the judge most likely is more lenient in sentencing, closer to the middle range of 16 years in prison.

MANSLAUGHTER:

If the jury convicts Arias of manslaughter, the trial moves into the "aggravation" phase.

OPTION 1:

The jury finds aggravating factors, and the judge most likely sentences Arias on the upward end of the scale on a range of seven to 21 years in prison.

OPTION 2:

They jury doesn't find aggravating factors, and the judge is likely to be more lenient, issuing a sentence closer to the middle or lower end of the range.

ACQUITTAL:

If the jury believes Arias killed Alexander in self-defense, she would be found not guilty of all charges.

Source: http://news.yahoo.com/arias-case-likely-far-over-even-verdict-193856301.html

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Tuesday, 7 May 2013

Microsoft releases overhauled YouTube app for Windows Phone 8

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Microsoft today released an overhauled YouTube app for Windows Phone 8, giving users the ability to manage their profile and playlists, share videos, and more.

What?s new? Lots.

  • Pin videos, playlists, channels, and even search queries to Start as Live Tiles for fast access. The tile flips to show either the latest video from your subscriptions or the most popular one.
  • A new and innovative playlist design gives you easy access to videos using a touch-friendly filmstrip.
  • Just want to listen to a video? It now plays in the background even when the screen is locked.
  • You can share videos to popular social networks, and via email and text.

The app can be downloaded here?for free. An updated version of the YouTube app for Windows Phone 7.5 devices will be available in the coming weeks.

Source: http://itsalltech.com/2013/05/07/microsoft-releases-overhauled-youtube-app-for-windows-phone-8/

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